Boomer film buffs might see Martin Scorsese’s The Irishman as a kind of summative look back at the mafia culture depicted by Hollywood over the last few decades. But this film’s conclusion, in which an aged hitman attempts to make a genuine confession and find forgiveness with the aid of a priest, makes it a cautionary tale for our times.
0 Comments Click here to read/write comments
Topics: Academy Awards, Best Picture nominees, Oscars, The Irishman, Martin Scorsese, good and evil