“Am I not here who am your Mother?” These very words were spoken by Our Lady of Guadalupe to a Mexican indigenous man nearly five centuries ago, and they changed the course of evangelization in the new world. The Spanish had already spent several years trying to convert the new world, but nothing was working. Hostility between the indigenous people and the conquistadores was the only thing coming out of their many attempts. Into this environment of hostility, our Blessed Mother came to the aid of those in need. She came to St. Juan Diego and gave him all of her motherly love and compassion. Now, she is known as the Queen of Mexico and Empress of America.
An unconventional portrayal of Our Lady of Guadalupe, Nellie Edwards’ “Mother of Life” immediately draws the viewer’s gaze to Mary’s face, an expression of stoic serenity. Her glowing visage imparts an inexplicable restfulness; she articulates no rational explanation for her peace, yet her image communicates, in fact imparts, a definitive grace. Eventually, the slope of her mantle and bowed head guide us to the image’s center: the Light of Christ in her womb. We now discover the source of her firm tranquility to be the Christ-Child, whose radiance is almost too bright for our eyes to hold.